Table of Contents
Arnold Sundgaard, “Susan Glaspell and The Federal Theatre Revisited,” 1-10.
Roger Gross, “The Pleasures of Brick: Eros and the Gay Spectator in Cat on a Hot Tin Roof,” 11-25.
Hsieh-Chen Lin, “Staging Orientalia: Dangerous “Authenticity” in David Henry Hwang’s M. Butterfly,” 26-35.
Robert Roarty, “Fun to Be Free: Intervention Takes the Stage,” 36-53.
Judith Stephens, “Lynching, American Theatre, and The Preservation of a Tradition,” 54-65.
Thomas D. Pawley, “Eugene O’Neill and American Race Relations,” 66-87.
