Table of Contents
Brian Richardson, “Genre, Transgression, and the Struggle for (Self) Representation in U.S. Ethnic Drama, ” 1-18.
Susan Anthony, “Made in America: Adaptation of British Gothic Plays for the American Stage: 1790-1920,” 19-34.
D.S. Neff, “Horse vs. Crow: Sam Shepard, Ted Hughes, and The Tooth of Crime,” 35-49.
Cinda Gillilan, “Tracers: This is our Parade A First Look at an Understudied Vietnam Drama,” 50-78.
Stephen Nunns, “Reflections in the Mirror: Public Arts Funding in the United States,” 79-93.
Bruce McConachie, “Parlor Combat,” 94-102.
