Volume 24, No. 3, Fall 2012

Table of Contents


Susan Kattwinkel, “The Tradition of the Eccentric Body in Vaudeville: Subversion and Power in Performance,” 5-22.

Shelley Mannis, “Cain’s Grave, Ground Zero, and ‘History’s Unmarked Grave of Discarded Lies’: The Question of Hospitality to the Other in Homebody/Kabul,” 23-44.

Peter A. Davis, “David Douglass on ‘Mr. Cruger’s Wharff’: The Enterprising Failure of the New York Stage in 1759,” 45-61.

David Crespy, “Fortunate Collision: Al Carmines’s Encounter with Claes Oldenburg’s Ray Gun Spex,” 62-96.