Volume 20, No. 1, Winter 2008

Table of Contents


Cheryl Black, “After the Emperor: Interracial Collaborations Between Provincetown Alumni and Black Theatre Artists, c.1924-1946,” 5-26.

Peter Civetta, “(Well, At Least) Lazarus Laughed – O’Neill, Religious Drama, and Stageability,” 27-52.

Meredith Conti, “I Remember Mama: La Mama’s Past and Present in the 2006 The Tooth of Crime Revival,” 53-74.

Scott R. Irelan, “The Shine of Egalitarian Morality: Staging a Connective Aesthetic in Robert Sherwood’s Abe Lincoln in Illinois,” 75-88.

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