Table of Contents
Matthew Rebhorn, “What is It?: The Frontier, Melodrama, and Boucicault’s Amalgamated Drama,” 5-34.
Susan Tenneriello, “The Industry of Spectacle Entertainment: Imre Kiralfy’s Grand Dramatic Historical Productions of The Fall of Babylon and Nero, or the Destruction of Rome in Staten Island,” 35-50.
Michelle Granshaw, “Beyond the Caricature: Harrigan, Hart, and Braham’s Music and the Construction of New York Irish Identity,” 51-78.
Valleri J. Hohman, “Hard Travel: American Encounters with the Modern Russian Theatre,” 79-94.
