Table of Contents
Rosemarie K. Bank, Harry Elam, John Frick, Lisa Merrill, and Don B. Wilmeth, “‘Looking Back to Look Forward’: Assessing Future Directions in American Theatre Studies,” 9-36.
Garrett Eisler, “‘I am a Mere Business Machine’: The Commodification of the Heart in Bronson Howard’s The Henrietta,” 37-60.
Robin Bernstein, “‘Never Born’: Angelina Weld Grimke’s Rachel as Ironic Response to Topsy,” 61-76.
Brian Hallstoos, “Pageant and Passion: Willa Saudners Jones and Early Black Sacred Drama in Chicago,” 77-98.
Leigh Kennicott, “Dislocations of Time and Space on the Early Twentieth-Century Broadway Stage,” 99-118.
