Table of Contents
Sean P. Holmes, “Canned Cooking: Stage Actors, Screen Acting and Cultural Hierarchy in the United States 1912-1929,” 5-24.
Peach Pittenger, “Ethel Waters and Racial Stereotypes: Crafting a Career in the Pre-Civil Rights Era,” 25-45.
Penny Farfan, “The Antiphon as Parody: Djuna Barnes and the Literary Tradition,” 46-60.
Maura L. Cronin-Jortner, “Expansion, Expulsion and Domination: Jonathan’s Spacial Tactics on the Jacksonian Stage,” 61-78.
Nghana Lewis, “Neo-Slave Drama: Narratives of Resistance in Alice Childress’s Wedding Band,” 79-95.
