Table of Contents
William Demastes, “Introduction: The American Musical,” i.
Stuart J. Hecht, “Assimilation and Dramatic Configurations in the American Musical,” 1-27.
Laurie Schmeling, “When Uncle Sam Invaded Broadway: Genre and Patriotism in the Critical Reception of Irving Berlin’s This is the Army,” 28-42.
Lyn Schenbeck, “Images of Women in American Musical Theatre: The 1920s,” 43-60.
Henry Bial, “Welcome Back to Berlin: Lessons in Staging the Holocaust from Cabaret, 1966 and 1998,” 61-70.
Dan Balcazo, “A Different Drum: David Henry Hwang’s Musical ‘Revisal’ of Flower Drum Song,” 71-83.
Gary Konas, “Song and Dance Men: New York Mayors in Musicals,” 84-93.
