Table of Contents
Jonathan Chambers, “The Dilemma of Commitment: John Howard Lawson’s Marching Song,” 1-21.
Lewis E. Shelton, “George Abbott and the Total Theatre Perspective of Directing,” 22-52.
Michael R. Schiavi, “Eugene O’Neill’s ‘New Men’ and the Theatrical Possibility: Strange Interlude and Ah, Wilderness!” 53-73.
Ronald Wainscott, “Let’s Get a Divorce: American Drama’s Divorce Crisis, 1870-1925,” 74-82.
Susan C. W. Abbotson, “What Does August Wilson Teach in The Piano Lesson? The Place of the Past and Why Willie Boy Knows More Than Berniece,” 83-101.
