Donatella Galella, Editor The American Negro Theatre and the Long Civil Rights Era By Jonathan Shandell Reviewed by Jennie Youssef Black Acting Methods: Critical Approaches Edited by Sharrell D. Luckett with Tia M. Shaffer Reviewed by DeRon S. Williams Palabras del Cielo: An Exploration of Latina/o Theatre for Young Audiences Compiled by José Casas with […]
Vol. 31 No. 2
Branding Bechdel’s Fun Home: Activism and the Advertising of a “Lesbian Suicide Musical”
by Maureen McDonnell The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center Alison Bechdel offered a complicated and compelling memoir in her graphic novel Fun Home: A Family Tragicomic (2006), adapted by Lisa Kron and Jeanine Tesori into the Broadway musical Fun […]
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The Poetics of the Tragic in Tony Kushner’s Angels in America
by Julia Rössler The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center The art of playwriting is not fundamentally a narrative art like novel writing; it is dialogic, it proceeds from contradiction, not cause and effect. -Tony Kushner, “Notes About Political Theater”[1] […]
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“Take Caroline Away”: Catastrophe, Change, and the Tragic Agency of Nonperformance in Tony Kushner’s Caroline, or Change
by Joanna Mansbridge The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center It’s a tragedy, I think, in terms of Caroline’s journey. – Tony Kushner, “Production: ‘Caroline, or Change’”[1] Little change, and strange to say, Yesterday came crashing in. Small domestic tragedies […]
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Haunting Echoes: Tragedy in Quiara Alegría Hudes’s Elliot Trilogy
by Nathalie Aghoro The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center Musical variations, the pursuit of belonging, and a persistent specter: These constitutive elements of the three experimental plays by Quiara Alegría Hudes known as the Elliot Trilogy speak of tragedy. […]
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Rewriting Greek Tragedy / Confronting History in Contemporary American Drama: David Rabe’s The Orphan (1973) and Ellen McLaughlin’s The Persians (2003)
by Konstantinos Blatanis The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center Ever since the late 1960s and early 1970s, a host of diverse American playwrights and directors have resorted to ancient Greek tragedy more intensely than their predecessors had ever […]
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Introduction: Reflections on the Tragic in Contemporary American Drama and Theatre
by Johanna Hartmann and Julia Rössler The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center In Tony Kushner’s provocative play Homebody/Kabul (2002), Milton reassures his daughter Priscilla during their trip to Afghanistan where they investigate the disappearance of Pricilla’s mother and […]
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