Monthly Archives: November 2014

“Persian Like The Cat”: Crossing Borders with The Axis of Evil Comedy Tour

Tamara L. Smith/ In the wake of the attacks of September 11, Americans of Middle Eastern heritage experienced a sudden and dramatic change in how their ethnicities were perceived. As comedian and activist Dean Obeidallah explained, “On September 10, I went to bed white, and woke up Arab.”[1] Once comfortable in their American identities, they […]

Posted in Vol. 26, No.3 | Leave a comment

Tony Kushner’s Angels in America: Histories, Futures, and Queer Lives

Vanessa Campagna/ We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. . . . Queerness is essentially about the rejection of a here and now and an insistence on potentiality for another world.[1] José Esteban Muñoz Two decades have passed since […]

Posted in Vol. 26, No.3 | Leave a comment

History is Distance: Metaphor, Meaning, and Performance in Serenade/The Proposition

Ariel Nereson/ In 2007 the Ravinia Festival of Chicago commissioned the Bill T. Jones/Arnie Zane Dance Company (BTJ/AZ) to create a work for inclusion in their 2009 bicentennial celebration of Abraham Lincoln’s birth.[1] In the process of creating the bicentennial work, Fondly Do We Hope . . . Fervently Do We Pray, the company generated […]

Posted in Vol. 26, No.3 | Leave a comment

Ida Wells-Barnett and Chicago’s Pekin Theatre

Karen Bowdre/ Ida Wells-Barnett (1862-1931) is well known as an anti-lynching advocate and activist, but she is less well known for her involvement with the theatre. In this essay, I argue that she played an instrumental role in creating new attitudes concerning the theatre and artistic expression. She engaged in persuasion campaigns in the early […]

Posted in Vol. 26, No.3 | Leave a comment
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