Table of Contents
Cheryl Black, “After the Emperor: Interracial Collaborations Between Provincetown Alumni and Black Theatre Artists, c.1924-1946,” 5-26.
Peter Civetta, “(Well, At Least) Lazarus Laughed – O’Neill, Religious Drama, and Stageability,” 27-52.
Meredith Conti, “I Remember Mama: La Mama’s Past and Present in the 2006 The Tooth of Crime Revival,” 53-74.
Scott R. Irelan, “The Shine of Egalitarian Morality: Staging a Connective Aesthetic in Robert Sherwood’s Abe Lincoln in Illinois,” 75-88.