Volume 19, No. 3, Fall 2007

Table of Contents


Matthew Rebhorn, “What is It?: The Frontier, Melodrama, and Boucicault’s Amalgamated Drama,” 5-34.

Susan Tenneriello, “The Industry of Spectacle Entertainment: Imre Kiralfy’s Grand Dramatic Historical Productions of The Fall of Babylon and Nero, or the Destruction of Rome in Staten Island,” 35-50.

Michelle Granshaw, “Beyond the Caricature: Harrigan, Hart, and Braham’s Music and the Construction of New York Irish Identity,” 51-78.

Valleri J. Hohman, “Hard Travel: American Encounters with the Modern Russian Theatre,” 79-94.

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