Volume 17, No. 1, Winter 2005

Table of Contents

 

Sean P. Holmes, “Canned Cooking: Stage Actors, Screen Acting and Cultural Hierarchy in the United States 1912-1929,” 5-24.

Peach Pittenger, “Ethel Waters and Racial Stereotypes: Crafting a Career in the Pre-Civil Rights Era,” 25-45.

Penny Farfan, “The Antiphon as Parody: Djuna Barnes and the Literary Tradition,” 46-60.

Maura L. Cronin-Jortner, “Expansion, Expulsion and Domination: Jonathan’s Spacial Tactics on the Jacksonian Stage,” 61-78.

Nghana Lewis, “Neo-Slave Drama: Narratives of Resistance in Alice Childress’s Wedding Band,” 79-95.

 

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