Vol 27 no.3

Arthur Miller: Reception and Influence in China

Arthur Miller is one of the most influential contemporary American playwrights after Eugene O’Neill. In the 1940s and 1950s, he rose to fame with All My Sons, Death of a Salesman, The Crucible and other social problem plays. Since 1949, Death of a Salesman has been performed continually on Broadway and in many countries all over […]

Posted in Vol 27 no.3 | Comments closed

West of Broadway: the Rockefeller Foundation and American Theatre in the 1930s

Given its historic role as one of the leading institutions in American philanthropy, perhaps it is not surprising that the Rockefeller Foundation (RF) was among the first American foundations to experiment with arts funding.[1] Better known are the efforts of the Carnegie Corporation of New York, which provided support for arts appreciation in American schools, […]

Posted in Vol 27 no.3 | Comments closed

Twisting the Dandy: The Transformation of the Blackface Dandy in Early American Theatre

When George Washington Dixon took to the stage in 1834 to perform “Zip Coon,” his latest incarnation of a blackface dandy, he most likely bent his knee a little more than in his previous portrayals of the dandy, garbled his speech a little more, and added some garish costume accessories. Dixon was twisting the dandy […]

Posted in Vol 27 no.3 | Comments closed
css.php
Need help with the Commons? Visit our
help page
Send us a message
Skip to toolbar